What once felt familiar now feels pregnant with dread. Undine is a water spirit, making covenants with men on land in order to access a human soul as well as a tasteful professional wardrobe. Breaking that covenant is fatal. Or so the story goes. He too is bound to the evolving bones of Germany, repairing bridges and various underwater infrastructure—he may, in fact, be more intuitively connected to the country than most.
In Undine , Petzold captures this tension with warmth and immediacy. Many, many lives have brought us here, but none are more important than these two, and no time more consequential than now. My god, how romantic. And so, in the dead of night, King Lu and Cookie leave the small shack they share with a metal pail in hand, sneaking through the pasture until they reach the dairy cow.
First Cow takes place when slavery was the main economic drive of the country, when Native Americans were facing genocide, when women were second-class citizens. First Cow will win most viewers over; it is funny in the most earnest way, with the beauty of friendship presented as the foundation of the film. Yet if the film wants to implore us to understand the essence of our species, its portrayal of burgeoning American capitalism is undoubtedly, jarringly, at odds with the nature of mankind.
As the migrating community scatters to the wind and reconvenes wherever the seasonal jobs pop up, Zhao creates a complicated mosaic of barebones freedom. At least they have a little more control out here. The optimism gained from a reclaimed sense of autonomy is lovely to behold and crushing when it comes into conflict with those angling for a return to the way things were , even if its impermanence is inherent.
What follows is not a revenge thriller. This is not a porcine Taken. Together, the pair search for the pignapping victim, which inevitably leads them out of the forest and back into the city.
The sparse and spacious writing allows its actors to fill in the gaps, particularly Cage. Wolff, along with much of the rest of the cast, projects an intense desperation for validation—a palpable desire to win the rat race and be somebody.
We watch this world turn only slightly, but the full dramatic arcs of lives are on display. A sad but not unkind movie, and certainly not a pessimistic one, Pig puts its faith in a discerning audience to look past its premise. So you grab your fellow disciples, put on your knee brace, pack a jar of IcyHot and a few Ibuprofen, and you put your nose to the ground looking for clues and for the culprit, even as your soft, sapped muscles cry out for a breather.
The realness Tran weaves into his story is welcome, but the smart filmmaking is what makes The Paper Tigers a delight from start to finish. A man, a cabin and maybe— maybe —something more. Sator is a name, an evocation, an entity. The film represents shifts in time, and the physical transportation to places soaked in memories, with an aspect ratio change and a black-and-white palette.
That same paranormal river flows to her grandson Adam Gabriel Nicholson , that aforementioned man in the woods, whose relationship with the voices in his head is a bit less comfortable. Suddenly, a splintered wooden casket appears in the middle of the asphalt. After the driver swerves to avoid it, there is another one. And another. Soon, broken caskets litter the entire road. The cause of the coffin calamity is revealed when Teresa sees that an open-back truck transporting caskets has collided into the mountainside, killing its passengers.
The scene is oddly pleasant, though, as opportunists have quickly begun selling off the least damaged goods to a line of passersby, both seeming giddy about the exchange. Death is pervasive in the film, but it is often funny, and coincidentally Teresa is on her way to a funeral. Her grandmother—the beloved matriarch of Bacurau, a small Brazilian village where she grew up—has died.
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